Game Jam going good. at 7:41 PM

This video of the game me and the siblings are making is practically ancient history. at this point. Still, I'mma show it to you so you don't say your uncle Batzarro is of liers. I R the slpey and neid mah Zeas...

Help me out of a jam...a GAME JAM! at 1:26 PM

You guys are gonna be 2 jelly.

Yes, the 2016 Puerto Rico Gamejam is begun, and I will be there with my brother and sister to kick ass, kick names, and kick bubblegum! I will be updating periodically since I'm not starting this jam with a busted ass phone! So stay tuned to my Twitter account...or else...you'll miss it...temporarilly. You'll you'll probably have to scroll a lot to find the posts about it.

Third time's the 'Jam. at 10:08 AM

You guys know I Love Myself some public domain stuff. especially when there's a chance for me to show off. what happened in 2014  A Games  Jam, hosted by Gritfish. the theme of which was public domain characters and stories. there was only a problem : by the time I found out about it it was already over.

I tried to create my own later that year. Nobody participated. next year there was another public domain Jam, which I was ready to participate in but alas I was unable to.


Now that I realize that this is a yearly event I have been able to anticipate that the next one will take place in less than a week. The third annual public domain game Jam House being announced and I'm letting you  know my intention to participate in it .

 I also would like to announce that whatever my entry  will be my characters and stories will come from public domain comics. This subject is so obscure that not even the Jam's host, whose mission is to try to make people aware that there are works in the public domain beyond zombies, is not aware of them. I will also like to say this so that if you are considering to enter please do so. I know I have a bug up my butt about public domain and copyright and stuff like that but it's important. And I guess there are the prizes too. I'd do it for free, but if they're handing out 1000 $ like last year, that's cool. Daddy litterally needs himself some new shoes.

Time and Time Again : the game we made at Puerto Rico Gamejam at 12:32 PM

I don't have a lot of time to break down the wonderful experience it was to participate in my first ever Game Jam.  But I can start showing you the work Frank Delgado and  Frankie Pagan of Coffee Bean Studios, (Patreon HERE video of their game here) Fabian Ramirez, Roberto Ledesma, myself, and a voice over guy whose card i lost.

From left to right Franky Pagan working the music, Frank Delgado working graphics, Yours Truly staring vacantly at the Roberto Ledesma working backgrounds and next to him... and... uh... Steve?

My Brother Fabian, who designed a lot of vehicles for the game which where eventually where worked in as  Background elements.

But in the meantime, and I meant to upload the game to Itch.io today, but I left it at home, here's some screens to tide you over.

Seen here, Aliens, Dinosaurs and UFOS in Mars. You can't prove there won't be dinosaurs in Mars someday!

The game is about a UFO riding little dude who is traveling through time, blasting aliens. Due to time crunch and not being able to figure out  GMK's joystick features in time, we left a loooot of stuff on the cutting room floor, including a second playable character and co-op.

That's right, we left out the female character. Mary Sue probably thinks it's a sign that the industry is misogynist.


Actually The game is up and about on Itch.io as of right now. Go play. Sure, it's no Gone Home, or Gears of War or other traffic driving titles I want to mention so people  will find this by accident, but it's a labor of love. Conker, Bajo, Halo, Minecraft. World of Warcraft. Dawn of Justice. What?

Equipo Drawnder wants YOU (to join him in PRGamejam) at 11:18 AM

El Sabor de una nueva generacion!

Now, I've peripherally, telescopically participated in a handful of  Gamejams already.  I'm no stranger to danger. But on September 10, on my own island, ON MY OWN HOMETOWN, there's a Gamejam. And I already signed in, because I know that feeling of kicking yourself for not participating on an event clearly built for you.

The PR Gamejam  takes place in Bayamon Puerto Rico, and I already got MY ticket, my Yoyo Gamemaker "Demo" and some backup ideas. Now all I need is you.  You don't HAVE to know code or anything. If you're a creative person who thinks they can come up with something, I want you on my team. If you can somehow produce music, maybe in FL Studio, I want you on my team. If you can create art and animation, I want you on my team. And fuck it, if you can do code or use Yoyo Game Maker, I want you on the team. Why wouldn't I want you on the team?

So if you're in Puerto Rico(or are some kind of Gamejam game chaser who would travel to an island currently facing a drought just to show us up at videogames) I want you on Team Drawnder.

Equipo Drawnder te busca a TI (Para unirsele en el PRGamejam) at 10:53 AM

 

Mira, yo he participado en Gamejams a veces, de lejitos.  A mi no me importa, yo soy loco. Pero en Septiembre 10, en mi isla, en mi mismo pueblo de Bayamon, hay un Gamejam. Y ya yo me inscribi, porque no me gusta lamentarme de dejar ir las oportunidades.

Asi que ya tengo mi boleto, mi copia de Yoyo Gamemaker y algunas ideas. Lo que falta eres tu.  No tienes que saber programar ni nada. Si es una persona creativa, lo quiero en mi equipo. Si puede producir musica, sobre todo en FL studio, lo quiero en mi equipo. Si puede crear arte o animacion, te quiero en mi equipo. Y a la porra, si ud puede trabajar codigo y eso, sobre todo en Game Maker, lo quiero en mi equipo. Claro que si.

Asi que si estas en Puerto Rico, o es un creativo errante, viajando por el mundo, participando en Gamejams, lo quiero en Equipo Drawnder.

In Monsters of the King, YOU are the boss at 10:57 AM

Friends and neightbors, for years we've guided heroes from the left of the screen to the right, with little thought of just how those enemies came to be possitioned so. Well, wonder no more, because my new game will shed some light on that!



As Sister Brains, it is your job to keep Sir-Jumps-A-Lot from getting to the end of the stage. Lay down enemies, time his jumps, and keep him away from those power ups and a winner will you be!

Took me two weeks. Done for the Backwards Game Jam.  Lots of stuff left on the cutting room floor. Might finish later. Get it here.

Frequently Stupid Questions: Public Domain Edition at 1:15 PM

Because public domain doesn't engender a lot of sympathy, I have decided to compile some answers to a lot of doubts people often have. I don't know if people actually feel like this, or if it's industry shills going around, but I think it's high time I addressed them.

I mean we're four years away from 2019. Copyrights have been extended for 40 years. Let's talk about this without emotionalisms.

Do you think you have a right to other people's rightful properties?

I don't think so, I know so. But so do YOU!

"Entitled" is a term that is often used to describe those  that want shorter copyright. After all, why should we have access to something we didn't create?

 But the thing is, we DO have a right. The American Constitution, not me, says that copyright exists for a limited time. Limited does not factor in if the guy made money in his lifetime, or if he doesn't want his works turned into a proto punk furry porn opera or if the guys made money from his work afterward aren't his kin. Limited means it should end at some point.

But Big Entertainment doesn't think it should end at "some point", therefore they got congress to unconstitutionally stretch the duration of works.  Look, here's some graphics explaining it.

I thought of showing the ref getting his payola far too late.

But what if an author doesn't make any money in the first x amount of years?

The idea here is basically we're supposed to to feel empathy for the poor struggling author. "Don't you want authors to get payed" is supposed to be followed by "yes, goddamn it, and the only way to make sure is to extend copyright 200 years more, woohoo!"

But here's the thing: this art/creation/invention thing is NEVER gonna be a sure thing. For every Batman that makes billions in comics, movies, cartoons, videogames and halloween costumes, there's thousands of Moongirls, whose owners just kind of forget, to ever bring out.

For this works(the majority), being wrapped up in red tape  for almost 100 years or more is a lose lose situation.  The work just sits there  unused, it doesn't  make anybody any money, but nobody can use it, unless the author released the work themselves.

Intellectual property is just as much property  as physical property, and a work  going to public domain is like the government stealing your house from you. What you own can't be taken away, right?

Intellectual property is not physical property, at least not like a house. It's more like...air.

Air is something that, except for  scuba divers and birthday balloons, is available enough that there is little need to hoard it. On the surface of the planet there is enough oxygen for us humans as well as cockroaches and giraffes and dung beetles. Only a truly spiteful god would insist that air should belong only to the plants that produce oxygen for 90 years so they can charge for it as they will. Most plants don't live that long.

But we want there to be more plants, because we just can't get enough of that wonderful Oxygen. So we give plants a break: we won't eat all their fruits, and rip out all their flowers, and chew on all their roots for a  time, so we can have more plants.

As we have more plants, we can start eating the older plant's fruits. We can pick their flowers and chew their roots. They have fulfilled  their purpose.

Well copyright is just that. We want more artists creating, inventors inventing, philosophers philosophizing and song writers twerking, so we say "for a time, we will subdue our urge and, indeed, our RIGHT to take something as intangible as the works of a mind, and duplicate it, remake it, remix it, retell it, to give you creators a break, so that ALL of us can eventually  see the benefits. We just want the air. That's why we held off."

The differences between a house and a song should be obvious. A house that you no longer have rights to cannot be inhabited freely by you. You can no longer do in the house as you see fit. But obviously, it has a limited amount of  people it can fit.

A song you have no rights to is a song anyone can sing, play, be reproduced by anyone. That includes you. It doesn't fit any normal definition of stealing.

Also, If you truly believed Public domain works are a form of theft, ethically you'd need to not participate in any of them. Hands up if you've ever said "I'm not watching if Bram Stoker's heirs aren't making money." "I'd be stealing to watch Les Miserables!" "I can't  watch Pride and Prejudice, the original author didn't authorize."

What a mighty fine thing, to rebuke the thief while spending  his loot! If you don't consider enjoying the spoils of the public domain tree stealing, then don't treat if falling into pd as theft.

Why can't you come up with your own stuff, you lazy assholes?

This is a fairly common one. After all, original works are highly valued, while derivative works are the devil's clogged, overflowing toilet.

Okay, first of all, originality isn't just in making brand new characters and stories. I thought the Avengers was pretty original, even though every one of it's characters is older than me.

Statistically, you hadn't been born when this happened.

So when characters are copyrighted we beg Marvel and DC to make them into movies and TV shows and games. We swallow up adaptations of A Song of Fire and Ice, The Walking Dead and many more. We get excited for the third remake of the adaptation of a comic from the 80's, and a new version of a toy commercial from our youths, in movie form.

But when somebody says it'd be nice if they went public domain eventually, the same people turn around and ask everyone else if can't make something new.

So let's not do that. Let's not say only lazy people want to work off of Tolkien's books, then rush off to pay for a LOTR MMORPG. Let's not say "just  make a NEW Superhero" only to bemoan how Wonder Woman isn't getting a proper movie, or her costume sucks, or is a Thin Israeli instead of a Muscly Greek( or a Thick Turk? I'm not sure what Amazons actually were). That's the result of "WB can make with Wonder Woman as it see fit."

Obviously there is financial value in owning a recognizable character, because otherwise there wouldn't be talks of remaking Highlander and Short  Circuit. But here's my beef: the handful of companies that  own your favorite shit have nothing to fear from Johnny Fanfiction and Suzie Kickstarter. They own tv channels, Radio Stations, Game Develpment houses. Copyright is supposed to keep you from giving up the creative world because everyone is copying you as soon as your work is done. Are you really gonna tell me Best Geek Ever's Teenage Mutant Ninja Turtles is a serious concern for Viacom when they have a whole  arm of channels and all I have is a fuckin' blog that we have to award them "only game in town" status FOREVER, too?

But what if they turn my(or my favorite) work into porn?

This could be fit under the wider banner of "what if they turn an author's work into something they hate?"  Like when WB did Alan Moore all wrong, or like when Hitchcock was locked out the editing room. Something like that  but now that it's public domain, it's somehow badder.

Or like when Alan Moore turned public domain characters into porn, My head hurts.

But I guess we hate porn now, huh? Ok fine. What would happen if you make a well known work, it becomes public domain, and you  get to see your work become porni-sized?

I'll answer the question with a question: what work currently in the public domain is more known for the porn version than the real? Which anything that has a porn version the porn version is more known than the real?

None. Porn is fairly forgettable and underground.  Axel Braun's superhero porn parodies aren't getting  on SuperheroHype's news page, that's for sure.

If you're a fan of a work and don't want there to be porns of it, bad news, kimosabe. If it's big enough, there's probably porn of it. From E.T. to  to the Room. From Mickey  to Dangermouse. From Robocop to The Girl with the Dragon Tatoo. Porn, bitch. Porn, motherfucker. That is our current world, where long copyrights reign, and  we charge kids who download mp3s thousands in fines. The world where we travel halfway across the world to arrest Kim Dotcom.

It's besides the point that your drawings of Jason fucking Freddy aren't competing with any official ones.

You, see, for the companies that own these works, "the dignity of the work" and "the artists original intentions and vision" are not the matters that keep them up at night.


And finally the answer would be, get over it. American copyright laws aren't  there to protect you from hurt feelings. Why talk such big game about freedom of speech  and so on, if we're gonna wimp out as soon as other people express themselves in ways we find objectionable?

It'll just lead to everyone making Batman works and nobody doing nothing else, you know?

The thinking, here is that a work being superpopular  and public domain would wind creating a great super-saturation of said work's derivatives. I use Batman as an  example because he's pretty popular and at 75 years, frankly should have lapsed years ago. But you can substitute him for Mickey, Superman, Harry Potter or the Ninja Turtles.

First of all, that's kinda the point. While copyright exists on a work, it removes competition from the originator. Like this.

No, really, that's pretty much it.

But we all know competition is the spice of quality, and if we had everyone be able to work on the same work...

Asylum WOULD Present Batman, like ALL  the time.

...the market would determine which is best. The market probably can't handle INFINITE Batman, thought, and I'm sure eventually it'd subside.

 How bad could it get? Well, zombies are a good example. They went public domain decades ago. While since there's hardly been a LACK of zombie happy works, there also wasn't a year where we only had zombie movies, games, and cartoons and songs.

And what would WB do in the face of such competition? Well, coming up with new stuff seems like  a solid plan. After having worked on Batman for so many years, they should have a reasonable advantage by 1995, and the new competition should force them to up their game.

And further, works further enriching the public domain would provide greater and greater possibilities. You guys are all excited for Batman v Superman and Avengers: Age of Ultron. In a world of reasonable copyright, both could have been a single movie, and be released in 2005.

In  a world of reasonable copyright, we could totally have  a Wonder Woman movie written by Gail Simone and Directed by Lauren Faust. And Capcom can continue to use Spider-Man in fighting games, even if Marvel would rather make it's own fighting games.

Sure, we might see some uninspired shit based on these works. But having Abraham Lincoln vs Zombies is a small price to pay for playing Resident Evil.

Oh, my childhood!

You just want free/cheaper stuff, you cheap bastards!

Maybe. I can't talk for everyone, but who doesn't like free shit? I wished I had millions  of dollars to buy pop culture icons wholesale , but until then I'm left with in the dishonorable position of making new stuff... or waiting until stuff falls into the public domain so I can take a stab at it. I've already done it and plan to, in the future, do it again. So maybe.

But why is that greedy, though? It's not like I want Batman all for myself. How come wanting works to be widely available in libraries and online, legitimately for anyone is greed, but fucking hording copyrighted works for 100 years is ok?

And this is about more than me wanting pop culture. Books on nature, technology, philosophy and history are being kept from being looked at, while American education languishes. These works could be made available to our young underprivileged that need it.

There are works withering away, that nobody can save from disappearing forever because they're copyrighted. Are we really gonna stand here and say those are acceptable losses, and that making money off of the long dead takes priority over keeping the long dead's words and art alive for future generations?

It's not a debate about whether   the public domain should exist at all, but you'd be forgiven for believing it so, as the current length and the last two extensions have blasted the public domain into basically not including anything from the 19th century.

What IS under debate is...

How long should Copyright be?

This is one that's been going on for literally hundreds of years(but not too many hundreds. 300 at most). Amongst people that do think over 75 is too long, there isn't a consensus. I've seen some say 30, 20, 15. Some even shoot for single digits or say that there should be no copyrights at all.


Personally, I feel the old 56 maximum  duration was fine, and I'd go for that. But instead of having to re-register every 23 years, you have to reregister  every 10 or so, with an accompanying fee.

Why? Well, if you really want the US Government to spend the people's tax dollars on going after the Megauploads and Napsters and Shareazas of life, you have to pay SOMETHING. What, do you think copyrights just protect themselves?

Also, it would prevent media from just becoming a game of "who can buy more." It would force companies to consider if they really want to own that IP, instead of forcing them to own the IP.

But what if an artist makes something something and it doesn't become profitable in that amount of time?

Ok, are there any examples like that? Author gives up on work, reaps rewards 50 years later? Is that a thing that happens that often, that the whole law must  be geared toward that?

Because if we're  gonna make the law based on what actually happens, then most works make most of their profit within a 5 year margin. and the most sensible copyright durations would be 14 years.

In either case, copyright is supposed to protect you enough that you keep creating, not maintain your shitty ass half a century spanning business model. What, if the creator can't create without getting blown, are we suppose to get them a girl, too?

It wasn't supposed to be Shakes. It just happened.

Why so much whining about stuff that never belonged to you?

Here's my beef with long copyright: If it was JUST that it's 95 years, and that we don't get stuff our own grandfathers enjoyed, I'd be okay. I'm not particularly interested in doing  my own Mickey Mouse shit.

But when I realised that they had gamed the system to actively deny us of any work lapsing, I snapped.

"Also, I suggest staying away from the tobaco."

It's like we were supposed to receive an inheritance, but then the bank  earning interests on the money decided to delay the reading of the will for 40 years. If you won't call it robbing you of the money, you can probably call it things like "unethical", "fucking underhanded", "extremely greedy", "unjust". And we're supposed to just sit here like stupid idiots and say "well, that's the law, and the bank is big and we're little"

Not so. An I'm certainly not just gonna wait until they do it again!

I was not born before the 76 extension. There was nothing I could do.  I was a boy during the Sonny Bono act of 98. I didn't even know what copyright was. There was nothing I could do. But if I can do something now, I will. I won't let my children go through the same thing.

Why am I making a Gamejam, again? at 1:17 PM

I deliniate the reasons I'm making a Gamejam next year, in my best "Joker-interrupts-tv"style creepy video. Also, the Jam is online, now.

Bloody Mario! 5 realities of Mario going public domain at 11:39 AM

Mario, about to kick a fire

The time of my public domain themed gamejam is ever aproaching. As such, it's time to think about our futures again.

Mario goes into the Public Domain, according to my expert calculations, in 2078 And, much like with Batman, it is something we are utterly unprepared for.  Many people don't understand the temporary nature of copyright, which is understandable, because a few people are up there, mucking up the works.

Let's get into a serious discussion of what could happens to gaming's most popular character in 2078

5) Not much

Princess Who?

If you think Mario's gonna be just as popular in 50 years as it was 30/20 years ago, you don't understand how pop culture works. What are the tv shows that where popular in 1985? Look upon those works, ye mighty, and despair.

Don't ask me, I was 2 years old.

By the time Mario gets around to being public domain, Mario might very well be more obscure than even the Golden Girls. Who knows what will happen to Nintendo  between here and there?

4) We can finally get that Mario movie done right

Mario should never have been bald, you cretins!

But for those of us already reaching the Godly Age Limit,  we'll be able to right the wrongs of our fathers, in making a Mario Movie that doesn't suck-a-balls-ah.

I mean, some people like Super Mario Brothers: The Movie.  But the general consensus is that it's hot garbage and should have been good.

17 years old Max Landis(of Chronicle fame) wrote an enormous, mammoth script for a Super Mario movie.  I'm sure we've all dreamed of adapting our childhood heroes for a modern age. It's probably too much to expect Max Landis to reach 2078 alive and lucid enough to get this script to filming with enough budget to get it to make sense. But those are the breaks. Somebody else, surely will, and hopefully they will.

3) More LEGAL Mario

THIS TITLE MAKE ME ANGRY.

Now, mind you, there's not a lack of Mario out there. In fact, I think I kind of called on all of you to fucking quit it with the Mario already.

But those are fanworks. They're not official, and they're only in existence because Nintendo is merciful/tired and doesn't want to take them down. If Mario where legal to remake now, you'd see the XBLAs and PSNs and Steams just be bursting with Mario all over the place.

Not only that, but Mario would consistently be showing up in other videogames as well. But remember...


2) Somebody would Legally make Mario Horrible

Art by José Emroca Flores...please don't sue me! I have kids to feed!!

This is one of the concerns of people out there when we talk about shorter copyright: That  somebody could make a mockery of the authors intent. or, as it was put to me:

That Captain America: The Winter Soldier DVD was just asking for it.

You don't have to go very far to see that. Mario's  been possesed by the Satsui No Hadou, Princess Peach has been made to fuck her way through the Mushroom Kingdom and some people apparently think Waluigi is sexy.

Apologies to those of you that got here expecting sexy Princess Peach pics.

Invariably somebody's going to make a game where Mario is a serial killer, and it's going to be legal as shit. They'll be selling it on gamestop.

But this is a good thing, in the same way  American McGee's Alice is a good thing: By being able to do a dark take officially, we can get "Dark and Gritty Mario" to be something compelling, instead of something made to be just for kicks.


1) Nintendo would benefit most of all.

We're-ah all about the money!

 Yes, Nintendo will not be the only game in town with Mario game's anymore. But that's perhaps for the best.You see, Nintendo's sphere of influence it pretty much limited to Nintendo consoles, officially. They don't do PC, Mac, or cellphones(unless they started doing that and I never found out). What has happened is that, what, with the Internet and all, those of us who won't buy Nintendo's machines anymore can still play a game of Mario, only, say, one that happens to also have Megaman and Simon Belmont. The fans filled the void.

Nintendo's influence would spread ever farther if you could legally buy Super Mario Bros for the Xbox 1. People would play it, like it, love it, and then look for Nintendo to provide more. Sure, technically they didn't make money on the one sale, but "official" New Marios would still be available exclusively in Nintendo's machines.

Public Domain Rescue Jam 2014! at 3:18 PM

Update: The Jam now had a different name, Public Domain Rescue Jam, because some other people also did a similar jam in May with the same name. Frankly, I'm completely envious and trying to come up with a way to differentiate our jams, even though mine does not have a specific theme. For now, it's still what it is.


A new year brings a new hope! And at least, it used to bring new books, and songs and stories to the public domain, until the laws got changed here in America. Thanks to a retroactively extended copyright of over 75 years, no works have, since the mid 90's, or are even going to enter into the public domain until 2019!

Stay out of this, Anderson.

​Bestgeekever thinks that copyright durations have gone from "(promoting) the Progress of Science and useful Arts"  to basically hindering creativity and creation. To create awareness of this, I bring you, the people, the Public Domain Jam, where I challenge you to create any game you like, starring characters and settings in the public domain. A Don Quixote fighting game? A puzzle attack game with Pinochio and Dracula? A bullet hell game based on Alice in Wonderland? As long as it's not under copyright (and, don't  use someone else's take on the characters. No Disney Princesses here.) do what you will.

Look at it and think to yourself: not like this.

If you're not quite sure which property you will adapt it is you're gonna do, here's some of them.
​Public Domain music

​Public Domain Superheroes

​A small list of public domain books

​List of Public Domain movies.

I'm giving you the whole month of January to really bring your best. If you don't agree with my cause, it's at least an interesting challenge, no? Here's the 3 governing criteria, explained.


Come on, bros! You're skeeving Hitler out...

Overall Quality and Enjoyability
This is the basic element of the videogame. "Is this game fun or anti-fun?" More fun is better

No more Dracalas

Rareness of the characters
Zombies and Dracula are pretty much staples of the popular culture. More obscure characters is better.

Actually, I've never seen Dracula with an Ukulele

Creativity
Did you take your own spin on the material, or did you place the characters where they always where, doing exactly what they did in the book, looking exactly like they did? More own spin is better.

Not like this dead asshole.

Pro-Public Domain
If your game has somehow presents some kind of message against excessive copyright durations, you get a cookie.

Submission open from 01/01/2015 to 01/31/2015. Stay Tuned to THIS PAGE for more information. If this Jam is a success, Bestgeekever promises to do it again next year,  maybe with a theme narrowed down.